Entertainment

Review

Pianist Himy in top form for Soirees series return

Thoughtful musicality and technical wizardry bring rousing ovations from the audience at Shiloh Church.

By Carol Simmons

Staff Writer

Monday, December 04, 2006

W.A. Mozart and Robert Schumann shared the focus Saturday evening when Washington, D.C.-based pianist Eric Himy returned to the Soirees Musicales Piano Series stage at Shiloh Church after a two-year absence.

Himy, who was making his third Soirees appearance, offered a varied program that noted the 250th anniversary of Mozart's birth and the 150th anniversary of Schumann's death by including not only a work by each of the two composers, but also works inspired by their compositions.

Extras

So, in addition to Mozart's Sonata in B-flat, K. 333, and Schumann's Symphonic Etudes, Op. 13, Himy gave us Hommage a Mozart, by contemporary Spanish composer Elisenda Fabregas (who was in the audience), along with Liszt's transcription of two love songs by Schumann and Liszt's Fantasy on Don Juan, based on themes from Mozart's opera Don Giovanni. Himy even threw in his own transcription of an aria from the opera Armida by Mozart contemporary Antonio Salieri, who, Himy noted, got a bad rap as a jealous rival in the Academy Award-winning movie Amadeus.

An amazingly agile pianist whose fleet fingers seemed capable of doing no wrong, Himy showed a profound appreciation for each work, not only in his studied playing, but also in the spoken introductions he provided throughout.

High points of the program included Himy's renderings of Schumann's Etudes and Liszt's Fantasy, which soared with both thoughtful musicality and technical wizardry. The crowd, which included a number of accomplished pianists, responded with a rousing ovation.

The next concert in the Soirees series will be Jan. 13 at Shiloh Church. Anne Koscielny, who is based in Massachusetts, is the featured pianist. Call 228-5802 for more information.