Wheatley Matthews: Modern troubadour takes DIY route

Two-and-half years after his first show, singer-songwriter Wheatley Matthews has done a handful of tours and self-released three albums, including the recent, “Taken the Wrong Side.” CONTRIBUTED

Two-and-half years after his first show, singer-songwriter Wheatley Matthews has done a handful of tours and self-released three albums, including the recent, “Taken the Wrong Side.” CONTRIBUTED

Many musicians perfect their craft in the isolation of the basement but not Wheatley Matthews. The Englewood native jumped right into the role of singer-songwriter in 2014 and learned the ropes in public.

After writing his first dozen songs as a solo artist, Matthews did his first open mike night at Canal Public House. A month later, the modern troubadour was in the studio recording his debut album. By the end of the year, he had completed his first DIY tour.

Matthews was fresh off a two-week tour supporting his recently self-released third CD, “Taken the Wrong Side,” when he sat down at Jimmie’s Ladder 11 to discuss his evolution as a solo performer.

A QUICK STUDY

“The first album is the first songs I ever wrote. I got good feedback and I wanted to do a full-length album so I just decided to do it. My band at the time was working on a demo. I got introduced to the sound engineer that recorded us. He had never done a solo act before but he liked my songs with the band so he said he’d give it a shot. It just clicked. I couldn’t ask for a better sound engineer.”

DIY TOURS

“I started sending out e-mails to see if anyone would even bite. I got lucky, I guess, because my first tour was to California and back in 25 days. I did 15 shows and two open mikes so I did 17 performances. I did it in three-and-a-half weeks. I did six weeks to go to California and back over the summer.”

MUSICAL CONNECTIONS

“When I booked that first tour, I was just trying to get shows. I wasn’t really making any money or anything. I didn’t really have perspective on how it would be but I was surprised by the connections I made on the road. It showed me how important networking is. It’s not always about the show you’re going to play now or the next day but about getting more shows in the future.”

TEAM OF ONE

“Other than recording and taking my own pictures, I do everything. I do the booking. I’m the manager, promoter, performer and driver. People don’t always understand how much of your time you spend doing everything but performing. There’s a lot of driving but it’s nice to be on stage and say, ‘I could be at home laying tile with my father, instead I’m here singing my songs to people I’ve never met.’ Touring gets lonely but it’s rewarding.”

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